Wait, better yet, here’s what I did: I selected six images from my camera roll that I’d previously created with AutoPainter.
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Take a photo or select up to eight images from your phone’s album (you can work with more if you upgrade for $1.99), add text and audio to each of them, add a second soundtrack of music, choose one of several layout designs, then give the title a design theme, like “Gritty” or “Modern.”
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Now that you’ve got it, grab a few more pictures and feed them into another free iPhone/iPad app called Blurb Mobile, a storytelling tool whose motto is “Stories are Everywhere.” Click the “Create Story” button, give it a name and description, make it public or private for only friends to view, then get to work. Then you send it on to its next app appointment. Filter it, tilt-shift it to spotlight a certain part of the image while blurring the rest, and basically mess with the depth of field until you’ve got the image right where you want it. Rather than emailing your budding masterpiece, you instead open it next within your Instagram app (free on both iPhone and iPad). Next, you “transform” your collage using either “mirror image” or “rotate 90 degrees.” Finally, after adding special effects, you can save it, send it or post it. Then you fill each box with either an uploaded image or one taken on your phone. You first choose among 19 layouts, such as a square divided evenly by three horizontal lines. Here’s how addictive AutoPainter can be: the other day in traffic, I used my iPad camera to shoot the backside of the Toyota in front of me, pushed the button, and then marveled at the gorgeous minivan Cézanne had just created for me.Īnother cool app is Diptic (99 cents). The loveliest part is that the three-step rendering takes about 90 seconds, so you can actually watch as the pixelated metamorphosis unfolds. Benson might have painted, and gradually your photo morphs into something quite different. You apply one of four filters, each designed to recast your image as a watercolor or as something famed American Impressionist Frank W. The app (99 cents on iPhone or iPad) works like many photo apps do: You select an image, either from your phone’s camera roll or by snapping a shot. The creativity that’s unlocked is boundless, and the fine-tuning is a fun-filled time suck.
But the wonderful part for humans is the sense of discovery that evolves once your photo has been soulfully run through one app’s filter, and then another, and a third. Yes, a monkey with an iPhone could use many of these tools. At the same time, the simplest apps are seducing amateur point-and-shooters, providing them easy-to-use tools that can lead to dazzling images that are printable, shareable and instantly suitable for framing. Many were already deeply embedded in this wizardry that’s making photo purists rethink their art, allowing them to “app-stack,” or run a single photo though several apps, ending up with gallery-worthy artwork. Several hundred early-adopting “iPhoneographers” and self-described “addicts of Instagram” were on hand.
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